We did talk about the new novel series, Cthulhu, Amalgamated, but we also covered quite a bit on writing process, inspiration, and stuff like that. I believe it was the first time I said “splooge” live on the air.
Okay, that’s a slight elision of the truth, as I have been known to tread the boards (I played the town’s good-natured simpleton in our local Community Theater’s Spring ThespFest, which performance my ex-wife called “brilliant type-casting”). And I’m not adverse to speaking in front of strangers, sometimes at length.
This Thursday, October 7, at 6pm PST (8pm CST, and etc), I’ll be the featured guest on a writer-focused radio show out of Los Angeles called “The Writers Block.” It’s been around for over seven years, with world-wide listenership of over 600,000 folks.
Here’s a writing confession: I really like to write to music. Have ever since I started working on my first short stories in the last century. My wife, as a singer, has more sensitivity to sound than I do, so she finds doing creative work with music in the background maddening.
Me, I think it creates a kind of aural wall inside of which I huddle with the waking dreams. When I’m on a roll, I rarely hear the music, but sometimes, when I lift my head from the keyboard, it’s kind of a refreshing surprise to remember how much I like that soundtrack (can’t go wrong with “Last of the Mohicians”) or that old
It’s spare and powerful. As a writer myself, sometimes I am captivated by the way songs can encapsulate emotion using a very simple presentation. Someday, I hope to write something as starkly emotional and as cleanly presented as Bruce Springsteen’s “Streets of Philadelphia.”
That may not be possible in a novel. I think Hemingway pulled it off once or twice before it became a parody of itself.
File this under “things writers ponder early in the morning.”
Like the brilliance of the original version of this song.
However, sometimes we can get a new appreciation of just how much genius was contained in the original by experiencing it from a different perspective. This version is damn good, as well.
This past Sunday, I finished the first draft of the second Cthulhu, Inc. book, The Auditors of Doom. That clocked in at 340 pages, over 78,000 words. I’m taking a week off to clear my head before diving into the revisions/rewrites.
In the meantime, waiting anxiously for the revised cover of Book One The Thing from HR. Aiming to have that ready and released right around Memorial Day: nothing says “beach reading” like the misadventures of a Shoggoth down among the Hairless Apes.
And, since life has a way of happening even while I’m living among the characters in my head, I’ve been rehearsing