Roy M. Griffis

Roy M. Griffis

Storyteller

5 Deadly Director’s Cuts

 

Among the many blessings of civilization is the BluRay. BluRays (and DVDs and home video before them) meant that if you loved film, you, too, could finally own a copy of some classic like Casablanca and sigh over its greatness time and again. But like many other gifts of Western capitalist culture, there is a downside.

One of them is the “Director’s Cut.”

Film history would be a lot more boring without the stories of enfant terribles (and later, adult pain-in-the-asses) like Orson Welles battling against the men with the souls of accountants over their art. Most of the time, it turned out the accountants had a wicked right hook and the artist would end up on the canvas while their vision was butchered.

Some director’s cuts are good. Dances with Wolves added additional backstory without seeming like Costner was giving himself a public handjob. Peter Jackson hit the height of his craft as a director with the Lord of the Rings trilogy, and he gave his fans more of what they wanted, more time in a Middle Earth that was both familiar and fantastic.

Then there are those…other efforts.

(Read more at PJ Media!)

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